Beauty Of indonesian lifestyle

Beauty Of indonesian lifestyle culture

Indonesia has a very diverse life styles. There are many rich people, and at the same time there are poor people too. In big cities, like Jakarta, you will find big houses which may be more expensive than houses in Beverly Hills. (The land itself is so expensive, as if there is gold underneath.) In slum areas, you will see homeless people live on the street. In street intersection you will see beggars going from car to car begging for money.

Most brochures talk about the beauty of Indonesia. This site will document everything; the good, the bad, and the ugly. You deserve the truth.

In this new update I add more good things about Indonesia, since many readers suggested that I should not leave out many good things. I hope, now, it is more balanced. I added more pictures and will add more in the future (a friend lent me his digital camera for those pictures. I wish I have one of my own. Want to donate a digital camera?).

Profile Facebook Alay

Alay (or 4L4Y, Anak Layangan or Anak Lebay) is a pop culture phenomenon in Indonesia. It is a stereotype describing something “tacky” and “cheesy” (norak or kampungan, in Indonesian). The Alay culture phenomena spans over a wide array of styles in music, dress, and messaging. It has often been compared to that of the Jejemon phenomenon originating from the Philippines and Harajuku from Japan. Although the former emerged much later and the latter admired in the west.

The word alay has no exact meaning or obvious derivation. Various definitions of alay are offered when one types it on a search engine. One theory that is widely accepted is that "alay" is a portmanteau of the term "Anak Layangan" (Indonesian: Children playing Kites), a pejorative describing someone having certain physical attributes from spending most of their time outside and getting sunburnt. Another suggests that the term originates from "Malay" as alay is unique to Southeast Asian countries.

Due to the very low significance of the alay phenomenon in the Indonesian society (considered to be a minor social change) very little documentation of its emergence exists. According to alay today, alay originated from the social networking site friendster. As early as 2004, Indonesians, regardless of their social background, decorated their friendster profile with leet texts, glitter banners and close-up profile pictures. This social networking trend would later on be "condemned" by many towards the end of the decade when Facebook overpowered friendster.

Many contemporary pop rock Indonesian music are considered to be alay music. Either because the artistes are the trend setters for alay or their fandom consists of alays. Jazz, punk rock, reggae, urban, religious and other genres including dangdut are not considered to be alay. Musicians who fall into any of the genres above usually has a fandom spanning various social strata and enjoy elite celebrity status. Alay fashion stands out in everyday life as they are donned by a collective of teenagers hanging out in various spots of Indonesian cities. Particularly from the middle-lower income class who are only able to afford cheap but stylish apparels. The most common attributes are tight jeans, boxer, T-shirt beneath a plaid jacket and a cap.

Writing alay (Indonesian: Alay text) is a form of the Indonesian language that has undergone "excessive leet transformation". Contrary to the popular belief that it is "destroying" the national language, grammatical standards are met in contrast to the modern Indonesian slang language. Similar to the jejebets, alay texts offer an alternative in compressing words so that they are under the 160 character-limit in text messages, often to the point that they are impossible to read. Rules in capitalization are mostly ignored.

Culture of Indonesia

Indonesian culture has been shaped by long interaction between original indigenous customs and multiple foreign influences. Indonesia is central along ancient trading routes between the Far East and the Middle East, resulting in many cultural practices being strongly influenced by a multitude of religions, including Hinduism, Buddhism, Confucianism and Islam, all strong in the major trading cities. The result is a complex cultural mixture very different from the original indigenous cultures.

Examples of cultural fusion include the fusion of Islam with Hindu in Javanese Abangan belief, the fusion of Hinduism, Buddhism and animism in Bodha, and the fusion of Hinduism and animism in Kaharingan; others could be cited.

Indonesian art-forms express this cultural mix. Wayang, traditional theater-performed puppet shows, were a medium in the spread of Hinduism and Islam amongst Javan villagers. Both Javanese and Balinese dances have stories about ancient Buddhist and Hindu kingdoms, while Islamic art forms and architecture are present in Sumatra, especially in the Minangkabau and Aceh regions. Traditional art, music and sport are combined in a martial art form called Pencak Silat.

Western culture has greatly influenced Indonesia in modern entertainment such as television shows, film and music, as well as political system and issues. India has notably influenced Indonesian songs and movies. A popular type of song is the Indian-rhythmical dangdut, which is often mixed with Arab and Malay folk music.

Despite the influences of foreign culture, some remote Indonesian regions still preserve uniquely indigenous culture. Indigenous ethnic groups Mentawai, Asmat, Dani, Dayak, Toraja and many others are still practising their ethnic rituals, customs and wearing traditional clothes.

Sculpture

Indonesia has a long-he Bronze and Iron Ages, but the art-form particularly flourished in the eighth to tenth centuries, both as stand-alone works of art, and also incorporated into temples.

Most notable are the hundreds of meters of relief sculpture at the temple of Borobudur in central Java. Approximately two miles of exquisite relief sculpture tell the story of the life of Buddha and illustrate his teachings. The temple was originally home to 504 statues of the seated Buddha. This site, as with others in central Java, show a clear Indian influence.

Recreation and sports

Many traditional games are still preserved and popular in Indonesia, although western culture has influenced some parts of them. Among three hundred officially recognized Indonesian cultures, there are many kinds of traditional games: cockfighting in Bali, annual bull races in Madura, and stone jumping in Nias. Stone jumping involves leaping over a stone wall about up to 1.5 m high and was originally used to train warriors. Pencak Silat is another popular form of sport, which was influenced by Asian culture as a whole. Another form of national sport is sepak takraw. The rules are similar to volleyball: to keep the rattan ball in the air with the players' feet.

Popular modern sports in Indonesia played at the international level include association football and badminton. Indonesian badminton athletes have played in Indonesia Open Badminton Championship, All England Open Badminton Championships and many international events, including the Summer Olympics since badminton was made an Olympic sport in 1992. Rudy Hartono is a legendary Indonesian badminton player, who won All England titles seven times in a row (1968 through 1974). Indonesian teams have won the Thomas Cup (men's world team championship) thirteen of the twenty-two times that it has been contested since they entered the series in 1957. In the hugely internationally popular sport of soccer (football), Indonesian teams have been active in the Asian Football Confederation (AFC).

Sporting events in Indonesia are organised by the Indonesian National Sport Committee (KONI). The Committee, along with the government of Indonesia, have set a National Sports Day on every September 9 with "Sports for All" as the motto. Jakarta has hosted the Southeast Asian Games three times, in 1979, 1987 and 1997, and won gold medals in each of these years. Indonesia has won gold medals at nine of the fifteen games it has attended.

Cuisine

The cuisine of Indonesia has been influenced by Chinese culture and Indian culture, as well as by Western culture. However in return, Indonesian cuisine has also contributed to the cuisines of neighboring countries, notably Malaysia and Singapore, where Padang or Minangkabau cuisine from West Sumatra is very popular. Also Satay (Sate in Indonesian), which originated from Java, Madura, and Sumatra, has gained popularity as a street vendor food from Singapore to Thailand. In the fifteenth century, both the Portuguese and Arab traders arrived in Indonesia with the intention of trading for pepper and other spices. During the colonial era, immigrants from many different countries have arrived in Indonesia and brought different cultures as well as cuisines.

Most native Indonesians eat rice as the main dish, with a wide range of vegetables and meat as side dishes. However, in some parts of the country, such as Irian Jaya and Ambon, the majority of the people eat sago (a type of tapioca) and sweet potato.

The most important aspect of modern Indonesia cuisine is that food must be halal, conforming to Islamic food laws. Haraam, the opposite of halal, includes pork and alcoholic drinks. However, in some regions where there is significant non-Muslim population, non-halal food are also commonly served.

Indonesian dishes are usually spicy, using a wide range of chili peppers and spices. The most popular dishes include nasi goreng (fried rice), Satay, Nasi Padang (a dish of Minangkabau) and soy-based dishes, such as tofu and tempe. A unique characteristic of some Indonesian food is the application of spicy peanut sauce in their dishes, as a dressing for Gado-gado or Karedok (Indonesian style salad), or for seasoning grilled chicken satay. Another unique aspect of Indonesian cuisine is using terasi or belacan, a pungent shrimp paste in dishes of sambal oelek (hot pungent chili sauce). The sprinkling of fried shallots also gives a unique crisp texture to some Indonesian dishes.

Chinese and Indian cultures have influenced the serving of food and the types of spices used. It is very common to find Chinese food in Indonesia such as Dim Sum as well as noodles, and Indian cuisine such as Tandoori chicken. In addition, Western culture has significantly contributed to the extensive range of dishes. However, the dishes have been transformed to suit Indonesian people's tastes. For example, steaks are usually served with rice. Popular fast foods such as Kentucky Fried Chicken are served with rice instead of bread, and sambal (spicy sauce) instead of ketchup. Some Indonesian foods have been adopted by the Dutch, like Indonesian rice table or 'rijsttafel'.

Popular media

The largest chain of cinemas in Indonesia is 21Cineplex, which has cinemas spread throughout twenty-four cities on the major islands of Indonesia. Many smaller independent cinemas also exist.

In the 1980s, the film industry in Indonesia was at its peak, and dominated the cinemas in Indonesia with movies that have retained a high reputation, such as Catatan Si Boy and Blok M and actors like Onky Alexander, Meriam Bellina, Nike Ardilla and Paramitha Rusady. However, the film industry failed to continue its successes in the 1990s, when the number of movies produced decreased significantly, from 115 movies in 1990 to just 37 in 1993. As a result, most movies produced in the '90s contained adult themes. In addition, movies from Hollywood and Hong Kong started to dominate Indonesian cinema. The industry started to recover in the late 1990s, with the rise of independent directors and many new movies produced, such as Garin Nugroho's Cinta dalam Sepotong Roti, Riri Riza and Mira Lesmana's Petualangan Sherina and Arisan! by Nia Dinata.[5] Another form of recovery is the re-establishment of the Indonesian Film Festival (FFI), inactive for twelve years, and the creation of the Jakarta International Film Festival. Daun di Atas Bantal (1998) received The Best Movie award in the 1998 Asia Pacific Film Festival in Taipei.